veröffentlicht nach mehrjähriger

Wartezeit seine erste Solo-Single:

„Terror“ ist ein luftig-

melancholischer Popsong, der mit

leichter Hand Gitarrenpop britischer

Prägung in ein Technopopkorsett

einbettet und dabei steinalt wie

frischgeboren klingt

Die B-Seite „Karrieren /

Hey Musikus!“ spricht von

den Myriaden abgehalfterter Musiker, die sich mit dem Aufkommen digitaler Downloads eine bequeme Ausrede  geschaffen haben, warum das Interesse an ihrer Musik kaum noch vorhanden ist.

limitierte 7“-Single und digitaler Download

official webpage
itunes

the 11 songs on this release are a tribute to the early gd luxxe stuff. a collection of tracks that were around for sometime but never really fitted to any older gd luxxe release.

songs like „believe“, „only love“, this perfect sight“ or „remain“ were remodelled and remade, other tracks like „airline map“, „diggin“ , like a loop“ and more are brand new.

also finaly out on CD are two coverversions, one of

them already appeared on he very rare collectors item

„pain/corrosion“ 7 inch that was released on

interdimensional transmissions back in 1999.

its of course a cover version of the sisters of mercy

smash hit „this corrosion“. check out this  fresh new

mix featuring the awesome miss le bomb on

co-vocals. the second cover version is joe crows

wonderful compulsion.

On September 10, 2001, Max Müller and his band Mutter released a CD called "Europe against America". One day later, two airplanes hit the World Trade Center, and no-one dared to touch that record any more.  

It is stories like this that crop up regularly in the biography of  this 1963-born singer, author, graphic artist and composer of film and theater scores,

With his fantastic solo album „Die Nostalgie ist auch nicht mehr das, was sie früher einmal war“ (Nostalgia isn't what it used to be any more), Max Müller, at first glance, shows his more accessible side. Assembling it together on his computer in a LoFi manner, he sketches post- apocalyptic scenes whose calm is treacherous, bearing the constant threat of new seismic shocks.

Max is the greatest German poet of this age. In his desperate vehemence, he neither cares for syntax nor style. Everthing comes out raw and unexpected, nothing is linear. He needs no rhymes to disguise himself or to encrypt some overblown nonsense.

Springtime, warmth, sunrays clearing the morning mist in an Austrian forest. It´s pictures like these that came to my mind when listening to the first takes of this album. At a first look, this album seemed to be a sunny, very accoustic-guitar drenched piece of quiet music, but hearing the songs again I found some very unusual elements and electronic structures in a so called "Folk" record. Beats sneak in now and then, bleeps from ancient synthesizers swirl through space, vocoders takes over the lead vocals from time to time.Leaning back I noticed that I haven´t heard music like that before. This record definitely takes the genre "Folkmusic" to another dimension.

the viennese space cadets

are back with a new album that

redefines cosmic disco.

stay tuned!

the new project by the usual suspects gathering round austrias secret king of pop, didi bruckmayr, deliver a lush and emotional dish of the day. bitter tears meet grossraumdisco.